The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pathology of Lying, Etc. by William and Mary Healy: tendency to lying would not be stimulated.
Further inquiry brought out the fact that it was true, as Janet
stated, that in her high school course she became nervous to the
extent of jerking and twitching, and that also for a time she
stuttered. Their physician said, however, that there was no
definite nervous disease.
As a young child the parents never thought this girl in any way
different from the rest of the family. As she grew older she has
been regarded as physically the most robust, but, as she stated
to us, she has done the poorest intellectual work and that has
often been a matter of family comment. The other children are
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Woman and Labour by Olive Schreiner: manual labour, and her increased intelligence and width, should render the
male objectionable to her, and the woman undesirable to the male; so that
the very race itself might become extinct through the dearth of sexual
affection? What, and if, the woman ceases to value the son she bears, and
to feel desire for and tenderness to the man who begets him; and the man to
value and desire the woman and her offspring? Would not such a result
exceed, or at least equal, in its evil to humanity, anything which could
result from the degeneration and parasitism of woman? Would it not be
well, if there exist any possibility of this danger, that woman, however
conscious that she can perform social labour as nobly and successfully
under the new conditions of life as the old, should yet consciously, and
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Recruit by Honore de Balzac: slippers, and eat the pate I made for Monsieur Auguste? They may
guillotine me if I--"
"Brigitte!" cried Madame de Dey.
Brigitte was mute.
"Hush!" said her husband in her ear, "do you want to kill madame?"
At that moment the recruit made a noise in the room above by sitting
down to his supper.
"I cannot stay here!" cried Madame de Dey. "I will go into the
greenhouse; there I can hear what happens outside during the night."
She still floated between the fear of having lost her son and the hope
of his suddenly appearing.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Prince by Nicolo Machiavelli: Therefore, let him who has no desire to conquer make use of these
arms, for they are much more hazardous than mercenaries, because with
them the ruin is ready made; they are all united, all yield obedience
to others; but with mercenaries, when they have conquered, more time
and better opportunities are needed to injure you; they are not all of
one community, they are found and paid by you, and a third party,
which you have made their head, is not able all at once to assume
enough authority to injure you. In conclusion, in mercenaries dastardy
is most dangerous; in auxiliaries, valour. The wise prince, therefore,
has always avoided these arms and turned to his own; and has been
willing rather to lose with them than to conquer with the others, not
The Prince |