The first excerpt represents the past or something you must release, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow: THE BELLS.
Defunctos ploro!
Pestem fugo!
Festa decoro!
LUCIFER.
Shake the casements!
Break the painted
Panes, that flame with gold and crimson;
Scatter them like leaves of Autumn,
Swept away before the blast!
VOICES.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Before Adam by Jack London: gave the explanation, gave sanity to the pranks of this
atavistic brain of mine that, modern and normal, harked
back to a past so remote as to be contemporaneous with
the raw beginnings of mankind.
For in this past I know of, man, as we to-day know him,
did not exist. It was in the period of his becoming
that I must have lived and had my being.
CHAPTER III
The commonest dream of my early childhood was something
like this: It seemed that I was very small and that I
lay curled up in a sort of nest of twigs and boughs.
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The third excerpt represents the future or something you must embrace, and is drawn from The Reef by Edith Wharton: drive toward the grassy cutting through the wood. Her air
was less of expectancy than of contemplation: she seemed not
so much to be watching for any one, or listening for an
approaching sound, as letting the whole aspect of the place
sink into her while she held herself open to its influence.
Yet it was no less apparent that the scene was not new to
her. There was no eagerness of investigation in her survey:
she seemed rather to be looking about her with eyes to
which, for some intimate inward reason, details long since
familiar had suddenly acquired an unwonted freshness.
This was in fact the exact sensation of which Mrs. Leath was
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