| The first excerpt represents the past or something you must release, and is drawn from The Adventures of Huckleberry Finn by Mark Twain: the Illinois shore where it was woody and there warn't
no houses but an old log hut in a place where the
timber was so thick you couldn't find it if you didn't
know where it was.
He kept me with him all the time, and I never got a
chance to run off. We lived in that old cabin, and he
always locked the door and put the key under his head
nights. He had a gun which he had stole, I reckon,
and we fished and hunted, and that was what we lived
on. Every little while he locked me in and went down
to the store, three miles, to the ferry, and traded fish
The Adventures of Huckleberry Finn |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Hunting of the Snark by Lewis Carroll: A novel arrangement of bows:
While the Billiard-marker with quivering hand
Was chalking the tip of his nose.
But the Butcher turned nervous, and dressed himself fine,
With yellow kid gloves and a ruff--
Said he felt it exactly like going to dine,
Which the Bellman declared was all "stuff."
"Introduce me, now there's a good fellow," he said,
"If we happen to meet it together!"
And the Bellman, sagaciously nodding his head,
Said "That must depend on the weather."
The Hunting of the Snark |
The third excerpt represents the future or something you must embrace, and is drawn from Sarrasine by Honore de Balzac: hanging in the centre of the boudoir, cast upon the canvas a soft
light which enabled us to grasp all the beauties of the picture.
"Does such a perfect creature exist?" she asked me, after examining
attentively, and not without a sweet smile of satisfaction, the
exquisite grace of the outlines, the attitude, the color, the hair, in
fact everything.
"He is too beautiful for a man," she added, after such a scrutiny as
she would have bestowed upon a rival.
Ah! how sharply I felt at that moment those pangs of jealousy in which
a poet had tried in vain to make me believe! the jealousy of
engravings, of pictures, of statues, wherein artists exaggerate human
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