The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Ideal Husband by Oscar Wilde: wonderfully fascinating quiet voice of his he expounded to us the
most terrible of all philosophies, the philosophy of power, preached
to us the most marvellous of all gospels, the gospel of gold. I
think he saw the effect he had produced on me, for some days
afterwards he wrote and asked me to come and see him. He was living
then in Park Lane, in the house Lord Woolcomb has now. I remember so
well how, with a strange smile on his pale, curved lips, he led me
through his wonderful picture gallery, showed me his tapestries, his
enamels, his jewels, his carved ivories, made me wonder at the
strange loveliness of the luxury in which he lived; and then told me
that luxury was nothing but a background, a painted scene in a play,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dead Souls by Nikolai Vasilievich Gogol: "How so?" said Platon indifferently.
"What? For three days past I have seen and heard nothing of you! A
groom from Pietukh's brought your cob home, and told me you had
departed on an expedition with some barin. At least you might have
sent me word as to your destination and the probable length of your
absence. What made you act so? God knows what I have not been
wondering!"
"Does it matter?" rejoined Platon. "I forgot to send you word, and we
have been no further than Constantine's (who, with our sister, sends
you his greeting). By the way, may I introduce Paul Ivanovitch
Chichikov?"
![](http://images.amazon.com/images/P/0300060998.01.MZZZZZZZ.gif) Dead Souls |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson: Cause injuries to be forgot and benefits to be remembered.
Let us lie down without fear and awake and arise with exultation.
For his sake, in whose words we now conclude.
IN TIME OF RAIN
WE thank Thee, Lord, for the glory of the late days and the
excellent face of thy sun. We thank Thee for good news received.
We thank Thee for the pleasures we have enjoyed and for those we
have been able to confer. And now, when the clouds gather and the
rain impends over the forest and our house, permit us not to be
cast down; let us not lose the savour of past mercies and past
pleasures; but, like the voice of a bird singing in the rain, let
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Falk by Joseph Conrad: he was so hard hit that he couldn't imagine any-
body being able to remain in a state of indifference.
Any man with eyes in his head, he seemed to think,
could not help coveting so much bodily magnifi-
cence. This profound belief was conveyed by the
manner he listened sitting sideways to the table and
playing absently with a few cards I had dealt to
him at random. And the more I saw into him the
more I saw of him. The wind swayed the lights
so that his sunburnt face, whiskered to the eyes,
seemed to successively flicker crimson at me and to
![](http://images.amazon.com/images/P/1853267430.01.MZZZZZZZ.gif) Falk |